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Wednesday, June 20, 2018

Not a Bad Egg, Really

by Gowri Mohanakrishnan
 
We lost two really good craftsmen from Moraghat Tea Estate in the same year. One was Bawarchi, the Burra Bungalow cook ( his name was Lakshman Singh Pradhan but everybody always called him‘Bawarchi’ ). The other was the garden carpenter, the 'Kath Mistri', Biren Sarkar. Each of these men could be described as a ‘character’ in his own right. Each one had a strong sense of tradition and of his place in it.

Bawarchi was one of a kind. He was already a very old and frail man when we moved to Moraghat. At the beginning of every cold weather, he would announce that he was going to die. The poor old man would arrive at work early in the morning, hunched up and shivering. He'd go home for his breakfast and bath and come back at around eleven o'clock, now walking straight, and actually looking younger. We would ask him if he was himself or a younger brother. He'd give us his trademark crooked grin in reply.

Bawarchi's shopping lists were unique. He had a strong sense of loyalty to the old British Sahibs and his idea of 'essentials' seemed to be based on a longing for those bygone days. At the top of the list, I'd find, not rice, sugar, atta and so on, but corn flour, Worcester sauce, beans and carrots. He once told me he’d liked the way the British sahibs would eat potatoes with their meat instead of eating rice or chapattis.

Bawarchi was old, but he cooked like a dream. His soufflés and cakes were light and lovely, and he made wonderful Indian and Chinese food as well. His 'pandraas’, cutlets and pancakes stay on in our memories. The only 'baksheesh' that the old man ever wanted was a 'Thank you!' And he got plenty of heartfelt thanks in his time. Poor old man, he died of tuberculosis. In the cold weather, as he’d said he would.

Biren was an old timer too - he was painfully thin; he had a weak heart and was lame in one leg. He'd come limping to the bungalow with a fine walking stick which he'd carved himself, and he had a helper who carried all his tools. He wore a woollen hat(all round the year ), shorts, shoes and socks, and a pair of very thick spectacles.

Biren was an artist. Wood was something he loved and understood, and he must have picked up his craft from the Chinese carpenters who worked in tea gardens many years ago. There were some glass fronted cupboards he’d made  with carved wooden frames of classic Chinese design. He once made me a perfect  oval picture-frame with invisible joints. He carved us two or three fine walking sticks as well. 

He loved appreciation, and he had a lovely smile that lit up his face with kindness and goodness. Biren’s helper had to bear the brunt of his tongue, though. He was quite rough with him.  
 It was decided that Biren would make a wooden frame for the fireplace - a complete wooden mantelpiece, and the entire design was to be of his choosing. He was very happy. He loved the idea, the challenge, and the thought that he was going to contribute something to the bungalow that would be a source of pride and joy for years to come. It was, in fact, his final masterpiece. He retired some months later, and he died soon after. That was some months before Bawarchi died.

Biren would have to do the entire job of the fireplace in the bungalow. There was no way he could take anything to the factory, as he’d have to keep taking measurements during the course of the work. The old man was worried about his morning tea break. How could he manage to walk all the way home for his eleven o'clock meal then back to the bungalow, with his leg being what it was? Well that was simple enough, he was told: he could have a meal in the bungalow. Bawarchi was instructed to provide Biren with breakfast every morning.

No one anticipated the storm that the two proud old men would manage to brew up between them. To start with, Bawarchi was outraged. Did anyone realise who and what he was? He'd been working for years -- so many years! -- first in Assam, and then in the Andrew Yule Company Kothi in Karballa T.E. He'd seen so many saabs and memsaabs, and that too from the British days! He'd cooked for such grand parties, he'd turned out a hundred and fifty perfect tandoori chickens on one night, and now, in his old age, he was being asked to wait hand and foot on this – this Biren Mistri who
addressed him as ‘Ay!!’ and ordered him about!
One of the complaints Bawarchi made was absolutely ridiculous. He claimed that Biren was profiting unfairly from the situation. How? No one could understand. So he explained. We bought eggs from Biren’s house, where one of his sons ran a small poultry business. And then, Bawarchi said, stressing the point, Biren was fed one of those eggs everyday. 

How could Biren sell us an egg and then eat it himself??

Biren, for his part, ranted about how Bawarchi deliberately took advantage of his dependence on him for food. He insulted him in every possible way, he said. He made him wait, and he did it purely out of spite. He couldn’t bother with cooking the simplest thing properly. He grudged him every mouthful that he ate. Who was he to counter Burra Saab's orders anyway? Biren Mistri could not handle the daily humiliation, he said. He would go hungry, but he would not tolerate Bawarchi's insults, his insolence and his arrogance.

Now this was a Situation. Neither Biren nor Bawarchi could be ticked off and told to stop behaving like a child. Each one was given a patient hearing, and then offered a suggestion. Biren's meal was to be served to him at a fixed time. All that Bawarchi had to do was to see that everything was in place, so that his helper, the paniwala, could cook the meal and serve it to Biren. The arrangement worked well for a few days, and there were no fireworks in the kitchen.

And then one morning, Bawarchi started off again.

He had found a rotten egg. He complained, and then he raged about the villain who'd sold it to us. He brought it to me in a cup and waved it about, ranting about dishonest people and the bad stuff they sold, and how it was he who was accountable for everything that found its way into the kitchen. Who would have to take the blame, after all? It was so unfair. He was simply delighted that he’d got some tangible proof of his enemy’s villainy. He was going to take full advantage of it!

Once he quietened down, Bawarchi was told that the egg could easily be replaced. Wasn’t it always? 

No, he said, if we wanted any eggs replaced, ‘they’ always asked to see the bad egg in the first place. Well then, he was told, he could go and show 'them' the bad egg and ask for a replacement. There were other eggs in the house for now. That seemed to be the end of it. I had had enough from him.

The next day, Bawarchi went about looking less grumpy than usual. His sudden cheeriness made me suspicious. I decided to ask him about the bad egg. Had he managed to get a fresh one in its place?

'No,' he said. He smiled his crafty old smile. 

'I cooked it and fed it to Biren Mistri.'
Moraghat Burra Bungalow - a typical post-monsoon sunset   

Meet The Writer/Editor: Gowri Mohanakrishnan  

 I was teaching English at Indraprashta College in Delhi when I met and married my tea planter husband in 1986. He brought me to the tea gardens - a completely different world from the one I knew! Life in tea continues to be unique, and I began writing about ours many years ago.

Early in 2018, I started Indian Chai Stories to collect and preserve other people's stories from tea.

The first chai stories I ever wrote were for a magazine called 'Reach Out' which Joyshri Lobo started in the mid eighties for the Dooars planters. Some years later, Shalini Mehra started 'The Camellia' and I started writing there regularly. Shalini put me in touch with David Air, the editor of Koi-Hai, who gave me a page there.  My family has always believed that I can write, and that is what keeps me going, whether I agree with them or not.

Here is the link to all the stories I have written at Indian Chai Stories - https://teastorytellers.blogspot.com/search/label/Gowri%20Mohanakrishnan 


Is this your first visit here? Welcome to Indian Chai Stories! 
Do you have a chai story of your own to share? Send it to me here, please : indianchaistories@gmail.com. 
 
My name is Gowri Mohanakrishnan and I'm a tea planter's wife. I started this blog because one of the things that I wouldn't want us to lose in a fast changing world is the tea story - a story always told with great seriousness, no matter how funny - always true (always), maybe a tall tale; maybe long, short, impossible, scary, funny or exciting but never dull. You will find yourself transported to another world! 
 
Happy reading! Cheers to the spirit of Indian Tea!

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11 comments:

  1. Hahahaha!
    Words fail me, Gowri!

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  2. Gowri....I am chuckling as I imagine you trying to make peace between the two master craftsmen!This situation is too comic!

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  4. A good read...the village politics is very common amongst the Staff and the sub-staff in all the gardens but are humble and loyal to the saabs as always.

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  5. So funny and poignant all at once. Loved this one, G!

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  6. The depiction of the two stubborn old characters comes to life in your telling Gowri! Great read.

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  7. The sky behind Moraghat Burra Bungalow is a unique, one time occurance well captured against the setting sun. Neon lights are just on but yet to make an impression.

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    1. Biren Sarkar's craftmanship is revealed through the Fireplace Mantelpiece deserves a salute posthumously though not forgetting Lakshman Singh Pradhan's culinary deication apart from their personal tiffs.

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  8. Magnificent piece of writing. Brings back memories of a paltan of servants who were always trying to catch each other out while the burra mem tore her hair by the fistful trying to make sense of the chaos of kothi politics!Of course the situation was invariably sorted out by saab and his wily ways learned from dealing with even wilier unions!

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  9. That fine balancing act we've all had to do sometime or the other! The characters are sketched so brilliantly that one can almost see Biren and Bawarchi. Really enjoyed the story, Gowri. It's so well written.

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  10. Reading about 'Kath Mistri'and 'Bawarchi'was like watching a Satyajit Ray Movie, ' Gopi gayan Bagha bayen', in a quintessential tea estate manner. It's too good and quite lucid. Enjoyed reading this thoroughly, Gowri

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